One of the original critics turned filmmakers who helped jump-start the French New Wave, Jacques Rivette began shooting his debut feature in 1958, well before that cinema revolution officially kicked off with The 400 Blows and Breathless. Ultimately released in 1961, the rich and mysterious Paris Belongs to Us offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. The film follows a young literature student (Betty Schneider) who befriends the members of a loose-knit group of twentysomethings in Paris, united by the apparent suicide of an acquaintance. Suffused with a lingering post–World War II disillusionment while also evincing the playfulness and fascination with theatrical performance and conspiracy that would become hallmarks for the director, Paris Belongs to Us marked the provocative start to a brilliant directorial career.
- New 2K digital restoration
- New interview with Richard Neupert, author of A History of the French New Wave Cinema
- Jacques Rivette’s 1956 short film Le coup du berger, featuring cameos by fellow French New Wave directors Claude Chabrol, Jean-Luc Godard, and François Truffaut
- New English subtitle translation
- PLUS: An essay by critic Luc Sante