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(last database update: Sun Apr 28 13:32:23 2024 PST)

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Blu-Ray Disc

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Crash (1996)
in stock at C&L0

Catalog Number: CC3206BR, UPC# 715515253611
DTS 5.1, Widescreen, English Audio, English Subtitles, Anamorphic
other titles from "Criterion Collection"

$55.93 $48.66
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Crash (1996)

Description

For this icily erotic fusion of flesh and machine, David Cronenberg adapted J. G. Ballard’s future-shock novel of the 1970s into one of the most singular and provocative films of the 1990s. A traffic collision involving a disaffected commercial producer, James (James Spader), and an enigmatic doctor, Helen (Holly Hunter), brings them, along with James’s wife, Catherine (Deborah Kara Unger, in a sublimely detached performance), together in a crucible of blood and broken glass—and it’s not long before they are all initiated into a kinky, death-obsessed underworld of sadomasochistic car-crash fetishists for whom twisted metal and scar tissue are the ultimate turn-ons. Controversial from the moment it premiered at Cannes—where it won a Special Jury Prize “for originality, for daring, and for audacity”—Crash has since taken its place as a key text of late-twentieth-century cinema, a disturbingly seductive treatise on the relationships between humanity and technology, sex and violence, that is as unsettling as it is mesmerizing.

Special Features

  • New 4K digital restoration supervised by cinematographer Peter Suschitzky, and 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray, both approved by director David Cronenberg
  • Audio commentary from 1997 featuring Cronenberg
  • Press conference from the 1996 Cannes Film Festival featuring Cronenberg; Suschitzky; author J. G. Ballard; producers Robert Lantos and Jeremy Thomas; and actors Rosanna Arquette, Holly Hunter, Elias Koteas, James Spader, and Deborah Kara Unger
  • Q&A from 1996 with Cronenberg and Ballard at the National Film Theatre in London
  • Behind-the-scenes footage and press interviews from 1996
  • Trailers
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by film critic Jessica Kiang
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